Clavia Nord Stage Manuel d'utilisateur Page 44

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THE PIPE ORGAN
From the golden age of organ building we
have carefully chosen a baroque organ
with a devastatingly beautiful sound and
wide range of expression for the C2D pipe
organ part. Using cutting edge sampling
technique, no efforts have been spared in producing the
richest and most varied sound palette for the pipe organ
player.
The Nord C2D pipe organ is built upon two basic types of
organ pipes; flue pipes and reed pipes. The flue pipes have
a softer timbre and the reed pipes a more nasal tone qual-
ity. For each keyboard division the player can choose from
different sets of pipes and stops to produce different tim-
bres. The C2D’s setup of stops make up a well-balanced
blend of tonal qualities capable of expressing the most
dramatic music to conveying the subtlest of organ pieces.
STOPS & COUPLERS
In the pipe organ each manual has its own sound; the
Great division being the part of the organ with the majestic
sound, whereas the Swell has a more mellow tonal quality.
The Couplers are used to activate combinations of differ-
ent stops from both manuals, so that pressing keys on
one manual also connects stops from the other manual or
pedal, making them sound as well.
DISPOSITION
Swell
(Manual II)
Great
(Manual I)
Pedal Couplers
Fugara 8 Principal 8 Subbas 16 SW/GR
Rohrflöte 8 Gamba 8 Fagot 16 SW/PED
Principal 4 Gedackt 8 Gedackt 8 GR/PED
Spitzflöte 4 Octava 4 SWELL 16
Nasat 3 Rohrflöte 4 SWELL 4
Flöte 2 Qvinta 3 SW 16/GR
Vox Celeste Octava 2 PED/GR. LOW
Scharf II-III Mixtur III-IV
Oboe 8 Trumpet 8
The disposition has the fundamental tonal character of a
baroque organ. The total number of stops is 21; 9 stops
for every manual and 3 pedal stops (of which one is a
combined Subbas 16 and Fagot 16). In addition to the three
unison couplers usually found in two manual organs, the
Nord C2D features three octave couplers and a special
coupler that adds the Pedal to the left most note played on
the Great manual.
SWELL PEDAL AND TREMULANT
One of the crucial ingredients for creating a vivid sound is
the swell pedal. In the Nord C2D this functions exactly as in
the real-life models, giving the player intimate control over
volume and dynamics of the swell manual. Another indis-
pensable aid to make the pipe organ sound even a bit more
vibrant is the tremulant. This is a function that basically
gives small and very rapid variations in volume, thereby
causing the sound to “tremulate”. The C2D provides two
speeds, each with three variable depths.
IT’S NOT ONLY ABOUT THE
MUSIC, IT’S ABOUT THE PLAYER
Not only does the C2D provide an extremely well balanced
set of pipes, stops and couplers, but we have kept the
setup close to reality for the pipe organ player to easily find
his way around. The controls are exactly where you expect
to find them.
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